Grand Hotel Abyss

I saw at Rigorous Intuition the news that Theresa Duncan and her partner Jeremy Blake had evidently committed suicide. My first thought was, “Who is Theresa Duncan?” But after two minutes’ poking around her blog I learned that she wrote for Artforum a comparative piece on Kill Bill and Lost in Translation that I long ago clipped out of the magazine and taped into a notebook that I’ve been carrying around with me for the last three years.

This particular issue of Artforum was given to me by friends who lived in Portland, ME, and whom I was then visiting immediately after my graduation from college. This was around the time of the beheading of Nick Berg, an event used by the right-wing to bolster the case that “we” were at war with wicked barbarians in Iraq. However, a number of bizarre events surrounding the murder raised suspicions about its perpetrators and their motivation. At the time I recall even moderate liberals wondering aloud if Berg’s murder were not staged by agents of the US government.

While in Maine, I drunkenly opined that Berg was probably involve in the whole unfolding catastrophe, from September 11 to Iraq. On my return home, I took a newspaper article on Berg and, without reading it, cut it into its constituent paragraphs, put them in a carrying case for M&Ms, shook them up, drew them at random and taped them into the same notebook in which I had saved Duncan’s article. (This practice was based on the cut-up technique popularized by William S. Burroughs, in which a text is randomly re-arranged in order to take advantage of chance’s capacity for revealing hidden or implicate meanings.)

My reading of the re-assembled, disjointed article issued only one surprise: the frequency with which Berg was recalled by relatives as being interested in repairing electrical towers. “He was a tower guy,” one relative recalled. This means sweet fuck all, of course, and I am, on most days of the week, a rationalist and an anti-cabbalist, though I have been known to frequent occult bookstores, and my adolescent heroes were the PoMo warlocks Alan Moore and Grant Morrison. Anyway, Berg was a tower guy, and this information sat a few papers’ widths’ from Theresa Duncan’s masterful demolition of Sofia Coppolla’s hymn to the patriarchy (which, by the bye, you can read here.)

What does this have to do with the untimely demise of Ms. Duncan? Well, it seems that she was caught up in some spooky shit of her own. One blog post in particular details her and her partner’s harassment both by a certain “church” which starts with a Scient- and ends with an -ology and by persons associated with a certain rich guy connected with the mob and possibly also with higher powers than that.

There is, I would caution you, no point to my observing these tenuously connected events. I trawl conspiracy theory websites to scare and entertain myself, and only half believe what I read there. I don’t know what happened to Ms. Duncan; I will probably never know; and to be honest with you I don’t want to know. There is that famous moment in The Red and the Black when Mathilde de la Mole elects Julien Sorel to be her lover because he is the only man in the room who might plausibly do something daring enough to warrant his decollation by the powers that be. I am not Julien Sorel. My rebellion against society goes only so far as my commitment to spend as much time unemployed as possible. More and more, I lose my public-spiritedness. More and more, I come to think that revolutionaries talk as much rubbish as reformists.

Interestingly, or maybe not, the only two professors I’ve ever had who showed any interest in conspiracy type matters were quite opposed on the question.

One was a Marxist, an old-fashioned Leninist type, and though he never came out and said so, he seemed to believe that the rise of deconstruction in U.S. academe in the late ’70s/early ’80s, spearheaded by ex-Nazi de Man and inspired by the Nazi Heidegger and the proto-Nazi Nietzsche sure was suspicious. I thought I saw a twinkle in his eye when he mentioned CIA funding of abstract expressionism.

On the other hand, my other conspiracy-minded professor was himself part of the deconstruction in-crowd, BFF with JD, the Dark Lady and others. He was more or less an anti-Marxist, or anti-Hegelian anyway (”Lukacs is boring!” he once declared), and yet he would frequently mention weird goings-on in the Middle East and even once entertained us with a large excursus on Leo Ryan, George Moscone, Harvey Milk, Jim Jones etc.

As for me, I’m convinced that all the more plausible conspiracy theories are true. But this is not really what I meant to say. RIP Theresa Duncan.

He made too many enemies
Of the people who would keep us on our knees
—XTC